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Adam Garrie

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Did the CIA Ruin Classical Music for the Masses?

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As both a classically trained musician and an audiophile, the 1950s and 1960s was something of a golden age of recorded music.

It was at this time that some of the most remarkable conductors of the 20th century were invited to make recordings on new stereophonic technology, whose sonic qualities equal and in some cases surpass that available in the 21st century. Marketed to eager consumers in the west on  super hi-fidelity reel-to-reel tapes or more commonly high quality stereophonic LPs, it was something of a renaissance for classical music listeners. Whilst nothing can equal the magnitude of a powerful live performance, some of the recordings of this era came very close.

It should be said that in the same era, in the Soviet Union, Melodiya Records were churning out masterful symphonic recordings as well, though most only became easily obtainable in the West, many decades later.

This was of course popular culture, and European and Russian classical music was as readily consumed as vocal music, pop and easy listening.

But behind the scenes, something more sinister was happening. Behind what seemed to be the perfect marriage between ageless and peerless music and new shiny stereophonic recording and listening equipment, there were dark forces at work which would ultimately destroy this renaissance. The dark forces in question were those of the CIA.
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Here’s Why the US Elite Fear RT

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James Clapper, the US Director of National Intelligence, on the basis of his comments to the Senate committee on Thursday about RT, would appear to agree with Alex Jones in thinking "there’s a war on for your mind."

I happen to disagree. I think there’s a race to the bottom, in order to see how much the American deep state and Congressional supporters of Obama’s neo-liberal ideology can condescend to ordinary Americans.

The truth behind the ‘media wars’ is far less exotic, let alone dramatic than the powers that be would like people to believe.

In business there is something known as the 80/20 Rule which states that 80 percent of all effects stem from 20 percent of all causal occurrences. When applied to retail it can mean that 80 percent of all revenue comes from 20 percent of one’s customer base. It can also mean that 80 percent of sales are derived from 20 percent of one’s inventory.

In media, one can apply this rule in the following ways: 80 percent of a media outlet’s viewership comes from 20 percent of a population who broadly agree with the editorial line of the outlet in question. Indeed, most viewers of media tune in and turn on to hear recent facts (and in some cases fake facts) which help to bolster their inherent views of the world. Clinton voters will watch CNN for reassurance, anti-Zionists will do with same with Press-TV, and neo-liberal globalists will put on BBC World.
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